Today I’m happy to share news of a new historical novel from author Nancy Jardine. She’s visiting my blog to talk about her new release and other bookish things.
Introducing Agricola’s Bane by Nancy Jardine
Nancy, why did you write this particular story?
Essentially, the next part of my clan adventures needed told!
Agricola’s Bane is Book 4 of my Celtic Fervour Series which charts the adventures of my Celtic Brigantes clan who originate in the hillfort of Garrigill (modern day Yorkshire/ England). Book 1 begins in AD 71 when the legions of Ancient Rome descend on Brigante territory, bent on subduing them to the will of Rome. By Book 4, we have moved on to AD 84 and the action is in Caledonia (modern day Aberdeenshire/ Scotland).
In Agricola’s Bane, Enya of Garrigill sets out from her Caledon ‘safe place’ to search for her brother and cousin who have not been seen since the Battle at Beinn na Ciche (end of Book 3). Ancient Roman historians would call this the Battle of Mons Graupius as was named by the Roman writer Cornelius Tacitus. It’s a dangerous choice for Enya to make since the tribal territories are seething with the legions of the Ancient Roman General Gnaeus Iulius Agricola as they make more and more temporary camps all the way to what is now the ‘Moray Coast’.
In my series, one family member may be a main character in one book, yet play a minor role in another book – though unless they have been killed off by a Roman gladius, the characters all hover in the background of Book4. It’s not quite a historical saga, but sort of…
Do you have a favourite scene or character in Agricola’s Bane?
When young Enya (14 summers old) sets out to find her brother, she’s accompanied by two other warriors. Feargus of Monymusk is of similar age but Nith of Tarras is older (20) and a surrogate foster-brother. Having found a trail that looks like it will lead to her brother Ruoridh, they need to cross a fast flowing river. Feargus can’t swim and has to be dragged across as he also fears the river goddess Caela’s retribution. It’s thought by historians that the ancient Celts were deeply superstitious, as were the ancient Romans, and their religious adherence permeated every aspect of their day. They have only just revived poor Feargus when they have to flee from an attack by Roman auxiliaries. Though the Romans are on the far bank, one of their javelins spears Feargus thigh. Enya and Nith have to remove the spear tip before Feargus can hobble off with them to safety. This is just one of the more highly charged scenes in the story when there’s interaction with the Roman enemies.
What was your process in writing your latest novel? Did you outline? Did you write multiple drafts?
Very good questions! I originally made a brief outline plan but since the book development came in fits and starts, over many months, new outlines were made along the way. As the series progressed, I increased the amount of main characters so Agricola’s Bane has 5 povs. There’s Enya and Nith who have the lion’s share. Then there’s General Agricola who gives the Roman perspective, though he occupies a lesser role. And lastly there are short sections in Ruoridh and Beathan’s povs. Beathan and Agricola will be main characters in Book 5, so I wanted to introduce them in Book 4.
It’s taken me a few years to complete Agricola’s Bane for all sorts of reasons which include; less time to write than for previous books; writing and publishing another novel in between; doing lots of courses and heavy research on Roman Scotland. The list should also contain that after I started it, I had a period of writer’s block when I didn’t like how it was going and set it aside many times.
There have been chunks removed so it’s very hard to say how many drafts but certainly a lot more than one!
What novels would you recommend to readers – old and/or new reads qualify?
I’m relatively easily pleased as a reader and often love best the last book I’ve read (unless it’s been an awful one but that rarely happens). I sometimes dip back to my classics favourites like Pride and Prejudice, Lord of the Rings, and various Charles Dickens. Newer books sometimes make an impact depending on my mood when reading. I mostly enjoy historical fiction and mysteries but do read other genres. I’ve thoroughly enjoyed heaps of Crooked Cat Books like Nicola Slade’s The House at Ladywell and The Ghostly Father by Sue Barnard. Katharine Johnson’s The Silence was also a fabulous read of 2018.
And any non-fiction recommendations?
I’m pretty one track minded at present and steeped in the history of Roman Britain/ Roman Scotland since I do author presentations/talks on the subject in my home area of Aberdeenshire. If anyone is interested in Scottish history in general, I recommend the books of Alistair Moffat. The Sea Kingdoms was engrossing for the ‘Dark Ages’ and made me want to zoom forward and write about Pictish ‘Scotland’.
(Oh! Great. I’m putting this on my xmas list right now)
And finally (and really my favourite question…) What’s the best piece of advice you have for other writers?
Get comfortable with the amount of time you can find for your writing and don’t stress if things don’t come naturally. When I wasn’t managing to add more to my manuscript – mainly for domestic reasons and because life intrudes – I consoled myself by writing blog articles and doing interviews. It is still writing, though different. Marketing is a necessity but not the easiest of tasks and I’d again say don’t get stressed because the more books you have published the harder it is to market them all.
About Nancy and where to find her…
Nancy Jardine writes contemporary mysteries; historical fiction and time-travel historical adventure. Her current historical focus is Roman Scotland, an engrossing pre-history era because her research depends highly on keeping abreast of recent archaeological findings.
A member of the Romantic Novelists Association, the Scottish Association of Writers, the Federation of Writers Scotland and the Historical Novel Society, her work has achieved finalist status in UK competitions.
She lives in Aberdeenshire, Scotland, with her husband but life is never quiet or boring since her young grandchildren are her next-door neighbours. She regularly child minds them, those days being cherished and laughter filled.
Blog: http://nancyjardine.blogspot.co.uk
Website: www.nancyjardineauthor.com/
Facebook: http://on.fb.me/XeQdkG & http://on.fb.me/1Kaeh5G
email: nan_jar@btinternet.com
Twitter https://twitter.com/nansjar
Amazon Author page http://viewauthor.at/mybooksandnewspagehere
Goodreads https://www.goodreads.com/author/show/5139590.Nancy_Jardine
A clear-cut case? 
Wow, that’s a really tough question, there are so many that I could tell you about. OK, I think I will choose The Lost Girl by D H Lawrence, Two on a Tower by Thomas Hardy and By Gaslight by Steven Price. The first two I’ve read and re-read several times. The third one I read whilst in France recently and I know I will read it again – the narrative voice was so captivating.
Having followed a career in Project and Business Change Management, I now work as an Actor and Director at a local theatre. I’ve been writing, in a serious way, since 2010. My work in project management has always involved drafting, so writing, in its various forms, has been a significant feature throughout my adult life.
Not per se!
Isabella May lives in (mostly) sunny Andalucia, Spain with her husband, daughter and son, creatively inspired by the sea and the mountains. Having grown up on Glastonbury’s ley lines however, she’s unable to completely shake off her spiritual inner child, and is a Law of Attraction fanatic. 
Jennifer is a marine biologist by training, who developed an equal passion for history whilst stalking Mary, Queen of Scots of childhood holidays (she since moved on to Richard III). She completed her BSc and MSc at the University of Hull, and has worked as a marine environmental consultant since graduating.
I was sat in a police station in Mozambique because somebody had stolen my motorbike. Despite the curious situation, I was overwhelmed by some of the challenges the officers faced; there were no aspirins in the district, yet hundreds of crimes. A total of six officers policed a town of more than 130,000 people. The force’s only car often ran out of petrol and the local police force had no forensic department.
I wanted to create a detective who was both tough but sensitive, just but hard. I tried to take what I could from Chandler’s hardboiled detectives and combine it with the attempt to rectify moral hazard that is so present in Nordic Noir. And I set it in Mozambique, in the small district where my family have lived for the last fifteen years.
The cover is particularly relevant to the book as the background image is part of Ogilby and Morgan’s Large Scale Map of the City as rebuilt by 1676.
Kate Braithwaite 